By Erin Brookins
“Get to the chopper!” she said.
“Stop,” I said. “This is serious.”
“No it’s not,” she said. “You’re serious. But this isn’t.”
“There is a very large, very pissed alien in the garage,” I said. “How is that not serious?”
“Hearing it out loud just makes it more ridiculous,” she said. “Ridiculous is the opposite of serious.”
“Alright,” I said. “Still,” I said. “We’ve got to do something about it. Whatever it is.”
She nodded.
“Knives?” I said. “Ski Poles?”
She shook her head no.
“This,” she said.
“That?” I said.
“This,” she said.
“... Why?” I said.
“Because,” she said. “I’ve never gotten to use it. Also,” she said, “I think it will work. It had that shiny pink coating that smelled like gasoline.”
“Gulp,” I said. Then, “What if it isn’t a threat? What if it’s just lost?”
“I think we’ll know within a few milliseconds if that’s true,” she said. “If not,” she said, “flame on.”
“Right,” I said.
“We should make creme brulee more,” she said.
About the Author
Erin Brookins
Erin Brookins is a writer living in the foothills of Colorado with her spouse and a dog named Lou.
Her work has most recently been featured in Birdy, and her first script about a cursed flannel and the search for purpose is now a ScreenCraft semifinalist.